Podcasts

Ngā īpāho

Join host Crystal Edwards (aka Kiino Krystal) and our three special guests — Pere Wihongi (aka Pai Pere), Mistee K and Tīpene Harmer — as they share their inspiring journeys and experiences throughout their music careers as independent artists in the Aotearoa music industry.

Join host Toni Huata and three guests — Maisey Rika, Jerome Kavanagh, and Ngahiwi Apanui — as they explore the influence that Māori boarding schools had on their chosen music careers, education and international touring experiences.

We have a long history of silencing women’s voices in Western music, and while society has taken steps towards gender equality, it is important that we keep the conversation about gender going.

‘Rodger Fox has been a central figure in the New Zealand jazz community for decades. From his early career in the rock band, Quincy Conserve to appearances at the Montreux Jazz Festival, and through his life’s work in jazz education, Rodger has broken new ground and connected local musicians to the global stage. Nick Tipping talks to Rodger about a life lived in jazz.

Mōteatea is a centuries-old tradition of chanted song-poetry; a great literary and musical art form that expresses the powerful portrayal of storytelling and is reflective of the emotional depths of a Māori world view. Its vast richness is yet to be fully understood. 

In these eleven episodes, over three series, hosted by Crystal Edwards, we hold conversations with some of the world’s leading experts on mōteatea and ask them: What exactly is mōteatea? How has it changed since colonisation? What issues does it face today?

Mōteatea is a centuries-old tradition of chanted song-poetry; a great literary and musical art form that expresses the powerful portrayal of storytelling and is reflective of the emotional depths of a Māori world view. Its vast richness is yet to be fully understood. 

In these eleven episodes, over three series, hosted by Crystal Edwards, we hold conversations with some of the world’s leading experts on mōteatea and ask them: What exactly is mōteatea? How has it changed since colonisation? What issues does it face today?

Mōteatea is a centuries-old tradition of chanted song-poetry; a great literary and musical art form that expresses the powerful portrayal of storytelling and is reflective of the emotional depths of a Māori world view. Its vast richness is yet to be fully understood. 

In these eleven episodes, over three series, hosted by Crystal Edwards, we hold conversations with some of the world’s leading experts on mōteatea and ask them: What exactly is mōteatea? How has it changed since colonisation? What issues does it face today?

Mōteatea is a centuries-old tradition of chanted song-poetry; a great literary and musical art form that expresses the powerful portrayal of storytelling and is reflective of the emotional depths of a Māori world view. Its vast richness is yet to be fully understood. 

In these eleven episodes, over three series, hosted by Crystal Edwards, we hold conversations with some of the world’s leading experts on mōteatea and ask them: What exactly is mōteatea? How has it changed since colonisation? What issues does it face today?

Mōteatea is a centuries-old tradition of chanted song-poetry; a great literary and musical art form that expresses the powerful portrayal of storytelling and is reflective of the emotional depths of a Māori world view. Its vast richness is yet to be fully understood. 

In these eleven episodes, over three series, hosted by Crystal Edwards, we hold conversations with some of the world’s leading experts on mōteatea and ask them: What exactly is mōteatea? How has it changed since colonisation? What issues does it face today?

SOUNZ Kaihautu Puoro Māori, Toni Huata, talks with Troy Kingi about his music, acting and current award nominations with Waiata Māori Music Awards and APRA Silver Scrolls.

In the 1970s, Lilburn wrestles with synthesizers and other machines, and comes out victorious, composing some masterpieces of the electroacoustic medium. But then he quits. He never writes another piece.  Or does he? Lilburn’s collection in the Turnbull Library contains over 1,000 files, including some rare late-life scribblings on manuscript.

In the final episode of The Magpie House we speak to some of the people who knew Lilburn best during his last 30 years. We hear about his dying wishes for the Magpie House, and about its revival as a composer’s residence.

In 1959, Douglas Lilburn moves into the Magpie House at 22 Ascot Terrace. It’s slightly over ‘teacup throwing’ distance from the cottage of his longtime friend—and onetime lover—Rita Angus, and offers privacy and a generous living room in which to entertain guests. His musical output at the time draws mixed opinions, and eventually his experiments with portable tape recorders lead him to discover the machines that are destined to fascinate and terrify him for the rest of his career.

Douglas Lilburn was a very private man, and in this episode we invade a little of that privacy. With the help of those who knew him well, we peek into the living room where he held court with aspiring young composers, and into the music room where he had a crisis of confidence. We march up the hill to the University for a squiz at the machines he became obsessed with, and we look over his shoulder as he writes letters to his dear, lifelong friends Rita Angus and Douglas McDiarmid.